THE FALL- ICE MOUNTAIN (CDR, unreleased, UK, 2005)

For those expecting The Fall's tour in support of "Fall Heads Roll" to adhere strictly to the buffed, chrome-plated peaks and valleys of the LP, the loose-limbed and altogether less insular approach of the group in a live setting was nothing short of eye-opening. Far more earthbound in their constructs than the psychotropic inclinations of their successors, Pritchard, Trafford and Birtwistle's familiarity with the material (some of which had been in the woodshed for nearly two years) allowed Smith to unfurl his distilled post-avant-garde lyrics against a stiff backdrop of confident indierock and surprisingly effective genre pieces.

While the sound quality of the recordings on this disc doesn't reach the crystalline heights of recent audience captures, the variegated aural palette mostly works to the material's advantage. The true gems here are the FHR tracks that benefit the most from this re-jiggering: a mono-bricked and Black Ark-infused "Ride Away," a snow-covered and crepuscular "Early Days of Channel Fuhrer," possibly the group's most purely beautiful piece; a pastoral and propulsive "Midnight in Aspen," with a midnight cowboy bass motif from Trafford; and Pritchard's limber and lubricious lead guitar lines on "Higgle-Dy Piggle-Dy," which comes close to the careening chaos of that song's studio incarnation.

And while there are surely any number of performances that one might classify as "the best version of 'Blindness" ever," surely the version included here (from Southampton) should be included in the canon. Taken at more of a sprint than a marathon, the intensity never dissipates. Incandescent and thrilling, turn it up and prepare to be blown away.

Tracklisting:

01 Pacifying Joint

02 I Can Hear the Grass Grow

03 Bo Demmick

04 Breaking the Rules

05 Early Days of Channel Fuhrer

06 What About Us?

07 Midnight in Aspen

08 Blindness

09 Assume

10 Ride Away

11 Higgle-Dy Piggle-Dy

12 Clasp Hands

(Source gigs in comments)(unofficial audience recording)

Due to the recent collapse of the Massmirror file sharing site, the links for the first three titles posted here (San Rococco, Mud On The Ground and Lotus/Cactus) were no longer functional. These links have been removed and, for now, will not be replaced.

Fresh posts will resume shortly, with a compilation of live material circa "Fall Heads Roll." Also under consideration is the addition of a new contributor who will focus on noteworthy single-gig recordings.

THE FALL-MYSTERY AIR (CDR, UNRELEASED, UK, 2008)

The Fall's March 2008 UK tour was something of a strange affair. Supporting an album that had yet to be released, the Greenway-Spurr-Melling lineup didn't really coalesce until the later gigs, finally acheiving a sui generis hybrid of metallic-pop and hard rock that was closer to the hi-octane approach of the Pritchard group than the heavy, acid-peak remit of their predecessors. Greenway's freeform tendencies on display during the early gigs were eventually reigned in and his skittery guitar constructs, along with Spurr's monstrously huge, percussive bass sound, provided the framework for disciplined readings of catalogue material from the two previous studio LPs. On the new "Imperial Wax Solvent" tunes, the recorded takes were the starting points for live versions that were both expansive and focused, with Elena Poulou's tart elektro-synth pop motifs the cherries in the custard. Aside from some head-scratching vocal interjections from a member of the road crew (such as the untitled spoken-word piece that typically opened each performance), on most nights Smith plumbed a loose but brilliant idiosyncratic lyrical trajectory. Among the many high points on this disc are a cavernous, atmospheric "Alton Towers;" a very loud and percolating "I've Been Duped;" "Totally Wired" reconfigured as glam stomp; and "Tommy Shooter" featuring lead vocals from both Poulou and Smith.

Tracklisting:

01 Latch Key Kid

02 Strangetown

03 Alton Towers

04 I've Been Duped

05 Totally Wired

06 Exploding Chimney

07 Pacifying Joint

08 Wolf Kidult Man

09 "The Empresario of The Fall"

10 50 Year-Old Man

11 Is This New?

12 Mountain Energie

13 Tommy Shooter

(Many thanks as always to The Consortium, and Pike1957 for the absolutely superb live recordings)

(Source gigs in comments)

THE FALL, GLITTERING BEACH (CDR, UNRELEASED, 1990, UK)

The re-addition of Martin Bramah to The Fall in mid-1989 meant the group's sound would subtly shift, with many of the aesthetics espoused by Bramah's own project The Blue Orchids reflected both in Fall vinyl product (now being issued by Phonogram) and in live performances from the period. Smith's "snap-together surrealism" was augmented by Bramah's thick, impasto slabs of lead guitar (a rarity for the group) and Marcia Schofield's synth-string orchestrations. At gigs, as an ensemble they were "post-punk neurodelica" given a veneer of bitter, contemporary pop. Also involved was Charlotte Bill, who added baroque oboe and flute ornamentation. Grittily brooding, unexpectedly labrynthine, and gleamingly commercial--thanks in no small measure to Smith's Velvety crooning--their full-length studio piece, "Extricate," was a rich though decidedly overground affair. These live tracks evince a decidedly heavier methodology, beginning with a blistering, pre-release "The Littlest Rebel." Elsewhere, the focus is on the considerable heap of quality non-LP material from this period, such as a brittle and queasy "Arms Control Poseur," featuring 70's cheeseburger guitar leads from Bramah, and a primordially oozing "Error Orror."

Tracklisting:

01 The Littlest Rebel

02 Butterflies 4 Brains

03 And Therein

04 Arms Control Poseur

05 Popcorn Double Feature

06 I'm Frank

07 Black Monk Theme Part 1

08 Zagreb

09 Bill Is Dead

10 British People In Hot Weather

11 Telephone Thing

12 Hilary

13 Error Orror

14 White Lightning

15 Sing! Harpy

The Fall- Cyber Insekt (demo), Midwatch (demo) (cassette tape, unreleased, 1999)

These two brief instrumental tracks were included on a work tape given to Mark E. Smith by Fall keyboardist Julia Nagle in late 1999. The first is a sketch for "Cyber Insekt," one of the centerpieces of "The Unutterable" LP released the following year. Furious, buzzsaw punk-guitar-and-drums with sporadic synthesizer bursts, it is the sound of the group stripped to its essence. The second would have a suitably enigmatic and sparse vocal added by Smith in its finished studio version, but here is an aphotic experimental piece, comprised of submerged sonar pulses and melancholic keyboard overlays, similar in approach to both dark wave and the later bloopbeat extravaganza "Das Boat."

(Julia Nagle has kindly permitted these demo recordings to be posted here. More of her gems can be found at http://www.invisiblegirl.co.uk/.)

(Painting by Joy Garnett)

THE FALL, EXTENSION CITY (CDR, UNRELEASED, 2007, UK)

Blasting into the stratosphere at full throttle, on the night of Mark E. Smith's fiftieth birthday, the "American lineup" of The Fall began a series of twenty dates across the UK to promote the kaleidoscopic and brilliant Reformation Post-TLC album. Creating a massive, swirling sound that incorporated huge washes of reverbed guitar, and a thick gauze of continuous bass fuzz, all marbled with spiky, avant minimal synth squalls from Elena Poulou and Tim Presley's pure, glistening higher-key leads, the performances reached a heady peak early on and never relented. This was a band that, simply put, understood how to make bracingly modern and compelling sounds, with each of the participants bringing a deft touch to the proceedings. Barbato's work is never less than astounding, with a fusillade of bass effects driving the ferocious acid groove, and occasional second keyboard adding warmth and complexity. McCord's drumming is pure genius, superbly employing the cymbals to signal propulsive shifts. Smith, as well, is engaged and inspired throughout, offering a fresh set of lyric motifs (the "victory roundabout," "Green/grey mountains"), his bent poetic recitations beaming quasar-like from beneath the furiously charged canopy. Half of the gigs are represented on this disc, and the quality never drops below the transcendent, from a slow-rising and definitive "Senior Twilight Stock Replacer," with its deft sense of momentum and suspense, to "Systematic Abuse" reshaped as spacerock, and an exhuberant, brainwarping "My Door." Also included are the one-off Bilston performance of "Wolve Kidult Man," featuring a stone heavy bass riff and unheard Smith lyric referencing the "Seattle Six," and a skewed, churning "Hungry Freaks, Daddy" incorporating a vocal drop-in from Beefheart's "Plastic Factory."

Tracklisting:

01. Senior Twilight Stock Replacer

02. Hungry Freaks, Daddy

03. Fall Sound

04. White Lightning

05. My Door Is Never

06. The Wright Stuff

07. Over! Over!

08. Wolve Kidult Man

09. Insult Song > The Bad Stuff

10. Systematic Abuse

11. Reformation

12. Just Step S'Ways

Source gigs in comments. Thanks to the Consortium for the magnificent audience recordings, and to Mike Cotgreave for the photograph.

THE FALL, LOTUS/CACTUS (CDR, UNRELEASED, 2006, UK)

When Ben Pritchard, Steve Trafford and Spencer Birtwistle acrimoniously departed The Fall in Arizona in May 2006, to be replaced the next day with young Americans Tim Presley, Rob Barbato and Orpheo McCord, the sound of the group was almost completely reconfigured. Gone was the mechanical, ramrod-straight alternarock (which in retrospect seems to have run its course), supplanted with a remarkably fluid yet precise psychedelic-flavored approach, full of syrupy atmospherics and potent electric kool-aid punch.

This disc captures both phases of this transition, beginning with an oddity: an audience recording of an intro tape--an instrumental version of "Coming Down," chock-full of slicing hi-end electro percussion and an aggressively repeating guitar riff. Presumably a demo but perhaps one of the unreleased tracks recorded at Chapel Studios in April 2006. The first half also includes a revelatory reading of the "The Boss," performed at Phoenix with a full set of lyrics. The second half focuses on the latter stages of the US tour, as Presley et al explode out of the gate with both new material ("Reformation", "Scenario") and expansive, thrillingly psychotropic takes on previous gems like "What About Us?"

Tracklisting:

01 Coming Down (intro tape)

02 Youwanner

03 Clasp Hands

04 Systematic Abuse

05 The Boss

06 White Line Fever

07 Coming Down > Scenario

08 Pacifying Joint

09 Reformation

10 Midnight In Oldham

11 Mountain Energie

12 What About Us?

13 Bo D

Tracks 01-06: Smith/Poulou/Pritchard/Trafford/Birtwistle

Tracks 08-13: Smith/Poulou/Presley/Barbato/McCord

(all unofficial audience recordings)